Thread Confessional: How Elizabeth Parker Changed My Life (Part I)
(Content Warning: This post contains discussions of mental health, abuse, and suicide.)
“As I cannot write I put this down
simply and freely as I might speak to a person
to whose intimacy and tenderness I can fully entrust myself”.
Around the year 1830ce, Elizabeth Parker was an English teenager who had already struggled through a hard working life, faced trauma and abuse at the hands of her employers, suffered from mental and physical health issues, and repeatedly questioned whether or not she wanted to continue living. As sad as it is to know that any child, anywhere would face a life like this, her story is not unique. I wish desperately that these were topics lost to past generations, but we all know that's not even close to the truth of our world today. While Elizabeth did end up living a long life, I would never have known her name had she not taken a scrap piece of linen and slowly, painstakingly entrusted it (and thereby us) with the most private and painful thoughts of her young life.
The Sampler was a common form of embroidery practice for young women in a variety of cultures as far back as the 1400s, and they were often saved as family keepsakes. Generally, these were 'practice' pieces, and an opportunity to keep a reference of different types of stitches and motifs that a girl could use in her future embroidery work. Embroidery skills were prioritized in whatever education many young girls received. It was a prerequisite to taking on the many responsibilities of managing a household, necessary for creating and mending the family's clothes, and could also be a potential source of income for lower-class women.
I've looked at many historic samplers over the years, and while I've appreciated them as beautiful objects, none has ever stopped me in my tracks the way the piece below did when I first came across it in 2013.
Unlike the examples I shared above, Elizabeth Parker's work is deeply private, undecorative, unfinished, and a little unhinged... I'm honestly not sure why it has even been categorized as a sampler- it's really not that at all... it is something far deeper....
It is a cri de coeur
There is SO much to unpack and explore here.... and there are several great scholarly articles about this work that contain detailed analysis of the time and cultural context in which this piece was created. (See references at the end of the post.)
What I want to share with you is how this piece has quite literally impacted my life over the past 10 years and what I've learned from Elizabeth and her struggles. Hope you'll follow along on a series of upcoming posts where I'll dive deep into this piece- the contents of Elizabeth's text, how I interpret it, how this work has inspired and challenged me, and the power of what I call the 'Thread Confessional'.
Stay tuned for Part II!
Keep Stitching,
LeahJoy
Additional Reading Material on Elizabeth Parker's Sampler can be found:
- https://collections.vam.ac.uk/item/O70506/sampler-parker-elizabeth/
- ANTIQUES, Witney (2000). Paradise Revisited: British Samplers, Historic Embroideries 1590-1880.
- GOGGIN, Maureen Daly, (2002). 'One English woman’s story in silken ink: Filling in the missing strands in Elizabeth Parker’s circa 1839 sampler,' Sampler and Antique Needlework Quarterly, 8.4, pp. 8-49.
- https://digital.obvsg.at/jrfm/periodical/titleinfo/6082642
- https://trc-leiden.nl/trc-needles/individual-textiles-and-textile-types/samplers/elizabeth-parker-s-text-sampler
This is just incredibly interesting. I can’t wait for more of this story. I checked out all of the additional reading material you suggested, and am so curious to hear more about Elizabeth Parker!
Hope you enjoy Part II!
I’m so excited about this series! History comes alive when a person can relate to it, and you portray the story so well!
Thanks! 🙂